crepuscular Review

crepuscular - 8 out of 10
Abbey Amber
TICKETS: End of Season

Crepuscular (adj): resembling or relating to twilight, or in the zoological world, it refers to an animal appearing or active in twilight (before sunrise or after sunset).

Abbey Amber’s debut solo fringe performance crepuscular, is a moving, unique piece of theatre, leaving the audience with much to consider as they leave.

The final performance takes place at The Jade, one of the venue’s final performances before they close up. The atmosphere within added to vibes – fairy lights draping above the audience area, and courtyard-like table and chairs to sit at.

This piece of theatre is an original piece written by Amber, along with original songs embedded into the experience. The production begins with a young child, sleeping on the floor before being awoken. With the assistance of an audience member who plays Amber’s mother, we’re shared with a book her mother read to her… all the way to chapter 3 but never being able to continue through to the next chapter and beyond.

We are drawn into the quiet, reflective world created as much as we’re drawn in with Amber’s presence, confidence, and perhaps most importantly – the way she presents the work, almost in verse. With a text-heavy production that is creatively written with such descriptive language, she is forgiven for using a prop onstage disguising her text to ensure she gets it all just right.

As we move through the show, she jumps ahead ten years, estranged from her mother but living with her father. While the house they once shared is now cold, isolated and full of dust, that book that was never finished is still playing on her mind. She finally builds up the courage to call her mother to find out what the book is called, forcing a drop in the audience’s gut when the phone call is cut short and we realise the reality of it all.

There are moments within the play the audience is asked to shut their eyes when a lamp onstage is turned off by Amber, removing the sense of sight from the equation and allowing the imagination to take over and fill in the space. Upon reflection, there are other opportunities within the production – both in text and in song, where this could further be explored to enhance the feels further.

Fingers crossed this is only the beginning for crepuscular.

- Andrew Broadbent

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