Eat the Rich (but maybe not me mates x) Spoiler Free Review

 

Eat the Rich (but not maybe not me mates x) - 9 out of 10
JFR Productions
TICKETS: Eat The Rich (but maybe not me mates x) | Adelaide Fringe

Holden Street Theatres have struck gold, scouring the Edinburgh Fringe Festival to bring Adelaide audiences the award-winning hit Eat the Rich (but maybe not me mates x). Produced by Jasmyn Fisher-Ryner and directed by Tatenda Shamiso, this razor-sharp solo comedy by Jade Franks dives headfirst into the messy, hilarious, and often painful clash between class and aspiration.

At its centre is another Jade, a working-class Scouser whose life takes an unexpected turn when she swaps her soul-draining call centre job in Liverpool for Cambridge University. As the show cleverly explores, getting in doesn’t mean feeling like you belong. Between balancing her frowned upon cleaning job and keeping up with the privileged, polished world of her peers, Jade’s journey becomes one of both self-discovery and survival in a system that was never built for her.

Franks’ performance is nothing short of electric. With a thick, unapologetic Scouse accent, she moves seamlessly between characters, from Jade to the upper-crust Cambridge crowd, each rendered with precision and comic flair. She’s a deeply physical storyteller, conjuring vivid imagery that transports the audience straight into the UK’s class divide, from her dreary call centre space to Cambridge’s corridors.

While Eat the Rich… bursts with comedic energy, it also delivers a biting social commentary on privilege, identity, and self-worth. Beneath the outrageous laughter lies a complex truth: the social barriers that keep the working class on the outside looking in. Amidst the absurdities of modern Britain, Jade’s journey is lifted by moments of optimism, buoyed by the call-centre wisdom of her co-worker, who believes that maybe, just maybe, anything is possible.

In quintessential Fringe style, the staging is simple: a lift-top table packed with delightful surprises, a rolling stool, and an old, corded telephone that somehow receives texts and emojis. The minimalism challenges the audience to suspend disbelief and revel in the creativity that this kind of storytelling demands.

Witty, bold, and brilliantly performed, Eat the Rich… is a sparkling satire that manages to be both hilarious and heartfelt – a celebration of resilience and a sharp jab at the classism that quietly underpins modern society.

- Andrew Broadbent

Comments