What's the Buzz? In Concert and Conversation with the Cast of 'Superstar'

Photo credit: Claudio Raschella

What's the Buzz? In Concert and Conversation with the Cast of 'Superstar'
Adelaide Cabaret Festival
5 out of 5 stars

When the recent Australian touring production of Jesus Christ Superstar infamously bypassed Adelaide, local theatre lovers felt a collective sting of abandonment. Enter Reuben Kaye. In his inaugural year as the Artistic Director of the Adelaide Cabaret Festival, Kaye made it his absolute first priority to rectify this theatrical injustice. The result was What's the Buzz? In concert and conversation with the cast of ‘Superstar’ – a one-night-only event that was equal parts rock concert and a hilarious, loose-lipped family reunion.

By sheer chance, I happened to catch the opening night of the official tour in Sydney, having bought a ticket on a total whim just an hour and a half before the curtain went up, completely unaware of the occasion. Because of that, I knew firsthand the electric, raw intensity that this specific cast could deliver. Walking into the Festival Theatre on Saturday night, I wondered if a stripped-back concert format could replicate that stage magic. Not only did they match it; they threatened to blow the roof off the building.

The evening beautifully split its time between jaw-dropping musical numbers and unfiltered, behind-the-scenes conversations. The cast shared chaotic tour stories, like the time John O’Hara – playing Annas but covering for King Herod – forgot his lines and resorted to aggressively throwing bread at Jesus right as he was singing "have this bread". In a hilarious twist of psychological sabotage, Reuben Kaye managed to duplicate the exact same mishap a few nights later, purely because he had been obsessively watching his own sneaky recording of O'Hara's blunder until it got entirely into his head. Speaking of Kaye, he was in prime form as both host and performer. He was his signature bold, blunt, and beautifully blasphemous self, dropping razor-sharp one-liners that had the row of young teenagers sitting directly in front of me visibly squirming in their seats and hiding their faces in collective, hilariously scandalized delight.

Photo credit: Claudio Raschella

But the cast and crew proved they could play the master showman at his own game. In a beautifully orchestrated prank, Elliot Baker (Caiaphas) was supposedly unable to make the trip to Adelaide. Instead, he snuck onto a last-minute flight from Sydney, slipped into the theatre completely undetected, and made a surprise entrance mid-song during This Jesus Must Die. Seeing a genuinely speechless Reuben Kaye on stage was worth the price of admission alone.

Musically, the entire evening was a non-stop rollercoaster of Andrew Lloyd Webber's finest work. Musical Director and pianist Laura Tipoki assembled a significant portion of the tour's original pit band, and they performed with a precision and ferocity that left no doubt about the caliber of the production Adelaide had missed out on. Every single cast member was performing at their absolute peak – a remarkable feat considering only Javon King (Judas Iscariot) is currently still out on the road touring. The setlist was a definitive run of hits that kept the energy soaring, featuring powerhouse deliveries of Heaven on Their Minds, Everything’s Alright, Pilate’s Dream, Simon Zealotes / Poor Jerusalem, I Don’t Know How To Love Him, and The Last Supper.

While it is nearly impossible to single out a favorite moment from an ensemble this stacked, there is simply no talking about this show without mentioning Michael Paynter. His rendition of Gethsemane (I Only Want to Say) was a literal, undeniable showstopper. Paynter commanded the stage with a vocal power and emotional range that felt superhuman, earning a rapturous, mid-song standing ovation halfway through the number – an incredible feat that completely mirrored the exact same mid-song ovation he received on opening night in Sydney. He is, without a shadow of a doubt, the best Jesus I have ever had the pleasure of hearing, whether live or on a recording.

By the time the final chords rang out, the cast – comprising Kaye, Paynter, King, Mahalia Barnes (Mary Magdalene), Graeme Isaako (Simon Zealotes), Elliot Baker, John O’Hara, Peter Murphy (Pontius Pilate), and Joshua Dormor (covering Caiaphas) – had given Adelaide everything they had. What’s the Buzz? didn't just soothe the ache of missing the official tour; it gave us something arguably better. It offered a window into the genuine love, camaraderie, and tight-knit bond shared by this incredible cast. It was a spectacular, high-octane celebration of musical theatre that left the audience profoundly grateful, thoroughly entertained, and deeply aware of the magic we missed out on. It was a night not to be missed, and never to be repeated.

–Scott

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